MrMovieETC's TOP 10 FILMS of 2009

Greetings, Movie Lovers!

I'm glad to be back after another 4 week stint of absence. Being a new player in this game of Parenthood will do that. Not to confuse that with any sort of complaint as I've enjoyed every moment immensely! Now I feel is the time to start integrating my (previously) normal life into this new one, and I thought getting my Top Ten Film series up and running again was the best way to break the seal.

Moving back to the main subject of my favorite 2009 films, I remember looking back at this timeline with fond memories only to review the list of theatrical releases and found that, while there were some exceptional films, the gap between that and "meh" felt vast. There wasn't anything that particularly jumped out me as a decent buffer between the two sides. That being said, that did make formulating this list a more simple task than expected.

So, without further delay, here is my Top Ten Film List of 2009:

*Disclaimer: No, Avatar is not on the list. Burn me at the stake, if you felt so inclined. It was an achievement, and, hell, my first ever blu-ray purchase, so I'm not trying to take anything away from it. In truth, though, still not my favorite.




10. (500) DAYS OF SUMMER

This spot on the list was the most difficult one to place. I had "(500)" on there initially, then switched it out for another, then placed it back again, and that went on for a few more rounds. All in all, I couldn't let it go; this film, for me, is simply too much fun to let slide. It's a rom-com in a basic sense, although with Joseph Gordon-Levitt and Zooey Deschanel as the two leads, it's not going to be your typical rom-com. I found this film had a good balance between the laughs and the heartbreak, and to my utmost advocacy, a not-so-telegraphed or cliche ending to a story about two lovers that found and lost each other. A decent soundtrack never hurt matters either, and I can thank this film for introducing me to the wonderful Regina Spektor.

I had picked this up as a blind buy in the beginning and I'm glad I did. It's a keeper!





9. ZOMBIELAND

Personally, there was no way "Zombieland" was going to avoid making it on my Top Ten. It's been an annual staple in my Halloween checklist since I've owned it, and in my mind, really helped cement the horror-comedy craze that "Shaun of the Dead" help create the foundation on a few years prior; not to mention it reviving Woody Harrelson's career and putting both Jesse Eisenberg and Emma Stone into the limelight more permanently. Otherwise, it's everything you could want for its particular genre: Great gore and makeup effects, well-timed laughs, a great cast sold on the concept, and finished off with one of the best celebrity cameos this side of the new millennium.

When I first saw the posters for this, I shrugged it off as another production company trying to cash in on the already tired "Scary Movie" spoof trend. Sadly, that prevented me from seeing it in the cinema, because I'm sure that would have been a great atmosphere for the first watch.





8. I LOVE YOU, MAN

Ok, I'm aware this is not the most original or thought-provoking pick to ever make a list like this. Although, what can I say? The Judd Apatow generation of comedies was still evolving, and I've almost run out of enough fingers to count on the number of times I've seen this film. Whether it was the first time, or the eighth time, "I Love You, Man" still thoroughly cracks me up. Jason Segel and Paul Rudd have a great chemistry, the script was well-written and the jokes never stopped coming. What easily separates this from many of its imitators is that it doesn't live and die on raunchiness and bathroom humor. This movie knew how to be smart and "bromance" goofy all at once, and that's not really too much to ask from an adult comedy. If you haven't checked it out before, I'd highly recommend doing so!





7. MOON

I first encountered "Moon" on my inaugural 24-hour movie marathon last year and it was later on the agenda that day, so I'm sincerely hoping my brain wasn't too washed out by that point. All of that aside, I felt this film deserved to be on a Top Ten list for Sam Rockwell's performance alone. He's a genuinely talented actor that I feel gets often overlooked, and one thing "Moon" certainly proved is that he can handle the screen on his own - literally - the whole film is him and Kevin Spacey's voice. What also drew me in was the stress factor of the story's circumstance, or even more specific, the claustrophobia. Watching a one-man crew on a space station on the moon slowly starting to lose his mind was effective enough to make my pulse raise a few notches and squirm restlessly on my couch. If a film can get that sort of rise out of me, I'd say it did the job and then some.





6. THE ROAD

I tip my hat to any filmmaker that wants to take on the daunting task of the post-apocalyptic genre, mainly because there aren't many moods that are well-suited outside of grim, dour, bleak, grey - you get the picture. "The Road" mixes all of those into the pot, and then for added flavor, tosses in some cannibals. Honestly, though, anyone whom has heard any brief description of this film has already made up their mind as to whether or not it's a movie they want to try and get through. It really goes without saying that this isn't the type of adventure you want to go on during a rainy Sunday after your goldfish just died. That being the case, if you care anything about good filmmaking, this is the type of film for you; it's bold, it's honest, and puts to shame even decent similar films like "The Book of Eli" and really shames the marshmallow fluff the cinematic world was offered with "The Giver" last year that felt more like an insult than honesty.

Highly recommended for sure to fans of the genre.





5. ORPHAN

I've said this multiple times in the past and I'll say it again - there are 2 main things I ask for from horror: Suspense and a good story to feed that suspense. To you, "Orphan", I say thank you for understanding! For a film I didn't think much of when I first saw it advertised, this little horror flick continues to entertain time and time again. It does not rely on jump scares, it maintains a healthy pace, and most importantly, as aforementioned, keeps this subtle eerie tone that slowly and faithfully builds upon it from the beginning to the climax. Speaking of which, maybe I missed all the telltale signs, but said climax did provide a decent twist that I did not see coming.

I won't get into spoiler territory, but if you couldn't guess already, I do recommend "Orphan". Besides, horror films based on kids are bound to be effective anyway, right?





4. FANTASTIC MR. FOX

In other words, the film that forever sold me on Wes Anderson. I suppose that was easy enough since I had not really seen a Wes Anderson film prior to "Fantastic Mr. Fox"; however, on the other hand, I've always been a sucker for stop motion animation, and to have the great voice cast that this film boasts and the masterful job of said animation, it was impossible for me not to love this cussing movie with a story ultimately about settling down in life yet still yearning for one's own "heyday".

Without going into full review territory, there's not much more I can really say about the film on this platform. I love it, and while Wes Anderson is not a taste that suits everyone, I'd still like to think a majority of viewers will still get the charm. Fair warning, the antagonists' theme song will get stuck in your head; there's no avoiding it.





3. DISTRICT 9

There have been times in the past where I've talked about the enjoyment of being humbled, especially when it comes to judging a book by its cover, or in this case, a film by its premise. This film did not look particularly interesting to me at first, friends that I spoke to didn't give me anything more than lukewarm reception on it, so until last year, I had gracefully ignored the existence of "District 9" - well, feel free to smack me on the forehead (giving me a V8 afterward is entirely up to you). I loved this movie! The special effects were ten times better than I was expecting, the social/political commentary was on target, and I was hungry for more when the end credits rolled through. I'm certainly hoping Blomkamp is not a one-hit wonder with "Elysium" not really piquing my interest currently (ironic, isn't it?), and "Chappie" giving me the same type of vibe.

I do make an honest effort not to drink from the same water cooler as the reviewing majority and make up my own mind as to whether a film looks worthwhile or not. Maybe those latter two are and I'll figure that out later on? Until then, I know Blomkamp has the talent that is elegantly on display in this feature.





2. UP

An animated adventure with Pixar's trademark color palette, humor, and enough emotion in the first 10 minutes alone that makes it feel like your heart and soul were just drop-kicked? Please, you had me at "Pixar", no need to oversell it. In all seriousness, this is the type of Pixar that I hope we start seeing again. I have no issues with "Cars 2", "Brave", or "Monsters University", but they did lack that signature combination that "Up" had enough of to spare for a few more films. Action, heartache through loss, resistance and resolution to the ultimate friendship - that's the kind of story I can get behind and the type of film that I find gets better with each re-watch. Naturally, there's a comedic silliness to it that draw in the youngsters, but this and "Wall-E" had that feeling of being aimed towards the slightly older demographic. Either way, I rank this towards one of Pixar's best and I don't foresee that changing anytime soon.





And finally, my #1 film from 2009:

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1. INGLOURIOUS BASTERDS

Truthfully, how could it not be? A fictional revenge tale against one of the most easily hated group of antagonists in the history of mankind - for the most part. Admittedly, Christoph Waltz made that difficult due to his chillingly effective performance as SD Standartenfuhrer Hans Landa. I could watch that character all day long. This is also the point where I feel Tarantino begun to hit his true stride. Nothing at all against the "Kill Bill" duo and "Pulp Fiction" - both classics in their own right - yet "Inglourious Basterds" felt like a refined focus of what he does so well with violence, gore, humor, and memorable characters.

Again, not to leave this overview short, but this is a movie that is best served to speak for itself. I loved it from the first time I saw it, and I enjoyed "Django Unchained" even more, so here's to Quentin continuing on this upward scale!




Thank you for reading! See you next week for my Top Ten List of 2008!

MrMovieETC's TOP 10 FILMS of 2010

While 2011 was a year dominated by comedies, in my opinion, 2010 offered a nice mixed bag with drama ultimately ruling the day. Really, 2010 was a pretty outstanding year for film overall. It had its fair share of blockbuster sequels and remakes to be sure, although some of its best came from new and upcoming directors that each made the most of their particular styles. Another thing that 2010 lacked, and what worked in its favor, was the absence of superhero films. Don't get me wrong, I've loved what MARVEL has done the past few years, but that being said, I'd be perfectly content to have another year like 2010 where other filmmaking ideas get to shine. Looking ahead at Disney's future menu, that's not going to happen anytime soon, though, again, no serious complaints on my end.

I don't really have much more of an intro to include here, so I'll get write to business!

Here is my list of Top 10 Films of 2010:





10. KICK-ASS

This was one of those films where I saw the initial trailers online and thought it was a spoof in the same family as "Scary Movie" or "Freddy vs. Jason". It wasn't completely without merit as spoof comedies were still a thing at the time and the comic world was still having its giddy soul massaged by "The Dark Knight" from a few years prior (and the film was probably still cutting a profit in 2010). I was not aware or familiar with "Kick-Ass" as its own comic series, and in some ways, I assume it could be considered as somewhat of a riff on comic film adaptations due to the series creator being compared to that of a cynic as I understand it. As far as the movie itself, it's one of those that is so nutty that it works. C'mon, Nicholas Cage plays a Batman look-alike, what's not to love? More importantly, cynical or not, the film knows what it is and that's a quality that always positively gets my attention. A group of teens take their superhero geekdom to a lethal level and try to clean up the streets of their city to mostly adverse results. The film is often times hilarious, and yet, knows how to punish to keep the adrenaline pumping. All of those combined, to me, made it worthy of a Top Ten spot.





9. THE CRAZIES

One may not find it all difficult to find something more terrifyingly enticing in the horror genre than the remake of Romero's "The Crazies", and I wouldn't have much to stand on to argue the contrary, but I'd also be making a liar of myself if I didn't say that I love this movie. Timothy Olyphant was a strong choice for the lead, the filmmakers took a novel idea and minimized the use of cliche and telegraphed jump scares, and it has the nice government conspiracy to tie it all in. The latter, I feel, is what garners the majority of the suspense and terror - the feeling that something like a contamination cover-up is not beyond the realm of possibility and that you'd be screwed no matter how fast or far you run. What I also feel raises this film a few pegs above many of the rest is its well-played double threat; not only is there the shady government tactics to keep the main characters trapped, but they also must escape the not-so-dead, yet complete murderous hordes that have gone mad from said contamination.

It's not very often there's an opportunity for horror to break my Top Ten list, so I really didn't have to grapple with adding "The Crazies" to the prospects. Definitely check it out if you haven't done so!





8. SCOTT PILGRIM VS. THE WORLD

Speaking in terms of financial success, "Scott Pilgrim vs. the World" is the epitome of a fun, creative idea that was a little too late to its own party. Many blamed it on the "World is tired of Michael Cera" Syndrome, and that could partially be true, but, in my mind, this film was a victim of bad marketing. I was aware of its existence when the film began its theatrical run, but there was little word of mouth or legitimate advertising on its behalf. All of which is a shame because "Scott Pilgrim" is a hell of a good time to watch. Built upon a sort of colorful, comedic "Mortal Kombat" staging, Scott Pilgrim (played by Cera) gets a chance to win the girl of his dreams. And if you want to talk about the ideal role for somebody like Michael Cera, this would be that role. His character is nerdy, naive, and yet has that sort of asshole-esque attitude that makes him entertaining.

That's really all I can say about it. The movie transitions from straight up romantic indie comedy to a romantic indie comedy video game. It certainly has a cult following by now, and for good reason. It's a winner.





7. HOW TO TRAIN YOUR DRAGON

I may have mentioned in one of my previous lists that back in 2010 I was a bit of a Pixar snob and scoffed at anything DreamWorks Animation has to offer because it seemly had nothing better to do than drag every last penny out of the Shrek series. Ironically, I'm still trying to come to terms with the fact that we're getting "Toy Story 4" and how that will possibly be any different. Anyway, with that kind of attitude, you can imagine my skepticism after seeing a title like "How to Train Your Dragon". I do like my dragons, but that sounds like something a parent would take their 5-year-old to see on a rainy Sunday. The other half of that story is that I actually love being humbled, proven wrong, and having my preconceived notions put to shame when it comes to movies. Why not? I want all movies to be good, and "How to Train Your Dragon" shames the definition of good to the degree of putting it in the dirt. I'm a sucker when it comes to gorgeous animation and "Dragon" has that in spades. It's additionally nice to have a competent story and characters to go along with it and, guess what, this movie has all of those, too. Like I said, the animation is its own wow-factor, the comedy is on point, the story has feeling in all the places that it should, and in my own perspectives, this series beats anything "Shrek" had to give. It was inventive. It was well-made. It was fantastic!





6. SHUTTER ISLAND

This film is still somewhat notorious from being ragged on by audiences for what they felt was a lackluster ending and having a twist that "everyone could see coming". You know what? Some of that is fairly true. You know what else? I do not care. "Shutter Island" is easily one of my favorite suspense thrillers from the past 10 years. It has Scorsese written all over it - from the gritty to the emotion - yet it's not signature Scorsese. It's certainly not a huge sidestep like "Hugo" a few years later, but refreshing just the same. Leonardo DiCaprio, Mark Ruffalo, and Ben Kingley were terrific as the leads, the atmosphere kept the tension in full-throttle mode throughout the whole duration, and I personally thought the ending was exceptionally fitting to the text of the story of paranoia and delusions. Sure, if you pay attention, you can see it coming from a mile away, although in the way it was delivered, I don't think it really hindered the overall outcome. The bullet was in the final message, and for me, that bullet was right on target.





5. BLACK SWAN

Comparing this to "Noah" may not be entirely fair to Aronofsky, mainly because they're not remotely alike, but I cannot help but believe that "Black Swan" and how much I enjoyed the hell out of it had something to do with my feelings of disappointment toward "Noah". This film is absolutely stunning; everything from the cinematography, to the superb and well-earned award winning performance from Natalie Portman, and how Aronofsky was the perfect director to bring an already dark story of "Swam Lake" to the big screen. Truly a horror film in its own right, "Black Swan" tells of a star ballerina that pushes her limits to achieve perfection to the point of borderline psychosis, and then full psychosis as her instabilities begin to project on to the world around her. Of course, it's not all her own doing with an overbearing mother and sadistic dance instructor that typically lead to a disastrous recipe. I realize many people do not care for Aronofsky with his unique style, and sometimes undeniable sense of self-importance; however, if he can make films as engaging as "Black Swan", I'm willing to forgive the flaws. I wouldn't recommended "Noah", but this one is certainly a keeper.





4. THE SOCIAL NETWORK

I vividly remember when I saw the first trailer for "The Social Network" in the theater. First, there was the slideshow of random Facebook posts, then quickly followed a haunting choir rendition of Radiohead's "Creep" in the background, and wrapped up with the film's title and my immediate thought of "A Facebook movie? Good God, why?" Remember when I said a few paragraphs up that I like being humbled? Well, a funny thing, or string of things, happened. As more information came out, I found out that this was being directed by David Fincher. Hey, I really like David Fincher. Shortly after, I learned that the score was being written by Trent Reznor. I love music by Trent Reznor. Those two facts took me from skeptical to sold, followed soon by seeing the film, which naturally, led me to loving the film. It's rather difficult to explain too, because a *mostly* factual biography about Mark Zuckerberg should not be that interesting, yet somehow it totally was. It doesn't hurt that the story unfolds the slow decline towards disaster for a guy that's hard to cheer for because he's an egotistical prick. One can't help but get behind him a little bit, however, because he's so good at it. A genius that is confident in said genius and makes those not-as-smart feel like insects does make for some genuine entertainment. The film is not for everyone, I can safely assume, but I highly recommend it nonetheless.





3. THE TOWN

Come now, Ben Affleck was hanging onto his career for dear life and him getting behind the lens and making a great drama like "Gone Baby Gone" was pure luck - one time luck for that matter - and there's no way he can do it again, right? Well, the best way I describe "The Town" in a few words is "Here is Ben's middle finger". I could not care less that this almost dangerously panders to Scorsese's signature style, because you know what, "The Town" is outstanding. The characters are well-developed, the climatic suspense easily rivals "Argo", and it maintains a gruesome pace that never really relents. I don't know where this version of Affleck was during the 90s and early 2000s, and where and when he discovered he had a talent for this, but all I can say is "Keep it coming!" It's been a few years since I've revisited this film, and the timing is good because I've got a serious itch to watch this one again. I remember walking into the theater with high expectations of whether or not Affleck would make lightning strike twice, and he did that and then some. Many film fanatics are more than familiar with the bank heist scenario, but Affleck did the concept justice by tapping into his own Boston background to make this easily one of the best thrillers in recent years.





2. INCEPTION

Or as I like to call it, "The film that Nolan has yet to top." No disrespect to "The Dark Knight Rises" or "Interstellar"; both films have that trademark Nolan ambition, it's just that they were not executed quite as well as "The Dark Knight" or "Inception". I realize that "Inception" is mainly a fancy-dressed heist thriller. What I fail to understand is why that matters in the first place? A straight forward heist film can easily be entertaining, there's no serious debate there; however, taking an idea that simple and giving it a fresh perspective is one of the true definitions of creative thinking, is it not? Acknowledging the fact that it's impossible to make every viewer see it that way, for the more positive way of thinking, "Inception" is one of the more creative endeavors in recent years and is completely suited to Nolan's style of filmmaking. Emotional impact is not his strong suit (See: "Interstellar"), although there is just enough of it here that Nolan is able to make the audience care about the plight of the characters. DiCaprio once again does a great job in the lead role, and Nolan makes the most out of his supporting crew as well.

To me, the twists and turns that "Inception" offers takes something ordinary and makes it extraordinary. By now, I've seen this film multiple times and have enjoyed it more with each repeat.





And finally, my Top Film of 2010 is:


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1. TOY STORY 3

What very well be the first and only time I would give a second sequel the top spot, "Toy Story 3" was a fairly easy decision for me. The first installment broke new ground in the animation universe, the second one spotted noticeable improvements in the art, and this final one (for now) wrapped up the trilogy so perfectly that it deserved the #1 place for that only. This is also one of the few trilogies in existence where, try as I might, I cannot pick a favorite. Each one has an absorbing story, the characters get more lovable with each production, and all 3 films go for the gut emotionally each time and always lands the punch. Why is that so impressive? The film(s) make you forget that the you're looking at toys - inanimate objects - and you care for them to the degree that during the climax of "Toy Story 3", you're trying not bawl like a toddler. Disney fan or not, animation fan or not, it does not matter in this case. This is filmmaking at its finest. I'm skeptical, and even partially pissed off, that Disney found a need for a 4th, but who knows, right? "Toy Story 3" did end the story arc but also left the door wide open to new adventures with new characters. I have a feeling I won't be able to stay away from it. The series is just that good.



Thank you for reading! I'll see you next week with my Top Ten of 2009!

MrMovieETC's TOP 10 FILMS of 2011

While it might not be made incredibly apparent by this Top 10 list, I've often referred to 2011 as the "Year of the Comedy". I suppose I could have called it "Another Year of Terrible Remakes", but that gets redundant after a while.

Seriously, does anyone even remember that they released a remake of "Straw Dogs" in 2011? I thought not.

Anyway, after a careful process of elimination, only a small handful of said comedies made it onto this list, because while I spent most of time in the theater or at home that year laughing my ass off to "Horrible Bosses", "Our Idiot Brother", "Friends with Benefits", "Paul", etc., that doesn't necessarily equate to being a Top 10 choice, in my mind. I felt it would be a disservice to the films that did make the cut to exclude them all together only for the sake of what made me laugh. I'm far too picky not to have variety.

So, before I ramble on, here is my Top 10 list of 2011!:





10. CEDAR RAPIDS

This is the sort of raunchy, yet sweet low budget comedy that cannot help but stand out because of its seemingly oddball premise and the experience of Ed Helms and John C. Reilly. The premise surrounds an insurance award convention at an upscale Motel 6 in Cedar Rapids, Iowa, and the unexpected shenanigans that ensue. Again, a majority of the laughs stem from low-brow vulgarity, but the jokes connect nearly every time and all the main cast bring their own contributions of heart to a story that speaks to the bonds that are formed after allowing one's self to live a little outside of the box. I've watched this one a few times now and I feel it gets better with each viewing.





9. CRAZY, STUPID, LOVE

I know, I never would have thought that I would have a romantic comedy mentioned in the same breath as "Personal Favorites of the Year". However, I must give this film its due praise. The all-star cast doesn't phone it in with likable and characters that can be related to , the story strays enough away from cliche that it stays engaging, and the humor is on point situation-wise instead of relying on obnoxious one-liners to carry all the weight. The pace of the plot and editing were tied together smoothly which comes in handy for a film that has multiple story lines.

The downside is that it is difficult to speak at length about comedies, especially ones like this. "Crazy, Stupid, Love" is a great one, though, and I definitely recommend giving it a shot.





8. DRIVE

2011 was good year for comedies, and it also didn't treat Ryan Gosling too poorly either. I can assume that "Drive" drew a lot of attention because of Gosling's return to the spotlight with "Crazy, Stupid, Love", you know, "Dirty Dancing" reenactment and stomach veins, etc. I'm also fairly certain that those expecting the same cute womanizer in this film received a hefty dose of reality - Gosling's character in "Drive" says a lot without saying much of anything, especially since his form of communication is driving places in a short amount of time and, oh yeah, bashing peoples' faces in. I've yet to see a movie since "Drive" that turned such a gut-wrenching 180 so quickly. The film does a great job of building the suspense subtly if you pay attention to it with Gosling (his character's name is unknown) quietly starting to lose his patience for the scum-driven brutality surrounding him and decides to take matters into his own hands. The result - brain crushing beauty. This is a lean thriller that will likely continue to leave fists and jaws simultaneously tightened for years to come.





7. WIN WIN

You'll have to pardon me on this one as I've only seen it once and that was back when it was new; however, I do have enough fond memories of how much I enjoyed that it still felt completely safe to put it on my Top 10. A financially down-on-his-luck wrestling coach (Paul Giamatti) mentors a rising wrestling superstar (newcomer Alex Shaffer) that comes from a nonsupporting home life. Fair enough, we've all heard plot parallels similar to that, but this is one of those dramedies loaded with passion from a cast and crew that sell that hell out of it. This is coming from a guy that has never enjoyed wrestling on any level, yet when I saw the previews for the film (prior to "Cedar Rapids", as it were) I knew that I had to see it and was glad that I did. I'll watch more than one film about the underdogs of life as long as they are done tastefully well. "Win Win" does that and much more, in my opinion, It is, for a lack of a better term, a win-win.





6. HUGO

This film is another that unfortunately falls into the same water as "Win Win" as I'm basing it off of one viewing over 3 years ago. Scorsese's adventure feature may not hold up steadily story-wise throughout its entire duration, but considering what he is commonly known for, this is a delightful film that should be given credit for its ambition alone. Truthfully, I'd find it hard to believe that any big movie fanatic would turn down a story that pays homage to one of the top silent film masterminds in history. Asa Butterfield and Chloe Grace Moretz do a fine job of carrying a bulk of the film's load as the two young leads, and Sasha Baron Cohen adds a colorful effect to his character, Inspector Daste. I've been meaning to look back at some of these 2011 gems, this one included, if only to revisit one of the more awe-inspiring contributions to that year.





5. THE DESCENDANTS

A family drama set in Hawaii. A family drama set in Hawaii starring George Clooney. The only other selling point I can think of is making sure to get it on blu-ray because it's a family drama set in Hawaii and the setting is expectantly gorgeous. Seriously, though, I expected to go into this film and see a good movie with an honest performance from Clooney at a minimum; what I ended up seeing was an excellent drama about the pain of loss, power struggles created by the loss, and finding redemption again through those around you that were the ones that mattered in the first place. This film felt like one of those that slipped under the radar, and I cannot recommend "The Descendants" enough.





4. THE RISE OF THE PLANET OF THE APES

Based on a statistic that I completely made up just now, it seems like about 90% of series reboots fail to actually gain any tread  and make an impact on current moviegoers. I wasn't joking about the making it up part, but that's the sense that I'm getting over recent years when trying to turn old classics into something new - it hardly ever seems to work. Not so much the case for "Planet of the Apes", however. To say the series could have used a face-lift from its Charlton Heston glory days isn't as much a negative connotation as it is an honest observation. Be that as it may, an undertaking such as this is risky business due to the justifiable expectations of the fan base. All I can say to that is, thank goodness for Andy Serkis! The man's motion capture acting abilities are second-to-none, and this is true and all the more apparent with his work portraying Caesar. Oh, and the rebooted origins story isn't half bad either. The film knew what it wanted to be and did the best possible job bringing that vision to light. I hope the series doesn't hit a creative ceiling because the ride feels like it's only getting started.






3. 50/50

For the comedies that did end up making this list, I have already spoken in volumes about the importance of the care each story received, the comic veterans that lead them, and that they have more soul than just silly laughter. Each one of this has lived up to my particular criteria, although "50/50" I felt was the absolute epitome from 2011. I don't care what anyone says, it takes some brass to try to make cancer humorous, even though that is the motto society tends to lend out about such things. If anything, it's a fine line; make it funny without being impersonal, and don't make it overly dour with a few chuckles to lighten the mood. A lot of credit obviously goes to the gifted chemistry between Joseph Gordon-Levitt and Seth Rogen, but equally as much should go to director Jonathan Levine and writer Will Reiser for walking that fine line without wavering. The end result is the colorful sense of humor we have come to expect from the lead cast, but also a more sentimental side that is pulled off with a graceful wit.






2. HARRY POTTER AND THE DEATHLY HALLOWS, PT. 2

I realize that this looks like an overly safe pick, and it a lot of ways it is. If we're being honest though, to have a book series this big and influential on popular media turned into an exceptionally successful film adaptation series that spanned nearly a decade and managed to keep the same cast (mostly) throughout to a legitimately satisfying finale has to count towards honorable mentions. Granted, this is the series that spearheaded Hollywood's new annoying fascination with giving book adaptions unnecessary split finales, but in this case, I'm willing to forgive. All 8 films do feel like the best possible sum to a whole that could be made at this time, and while I would have been perfectly fine with a more drawn out battle of Good and Evil at Hogwarts, this version still fit the bill well enough to be enjoyed until the reboot.

Yes, I say that definitively because Warner Bros. is not above milking the cash cow.





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And finally, my Number One film for 2011 is . . .






1. THE GIRL WITH THE DRAGON TATTOO

Oh yes. Ironic, isn't it? I take a jab at all the terrible remakes served cold and lifeless to the general cinema public on what seems like a monthly basis nowadays, and I go and choose a remake as my top film of 2011. You know what, though? I do not feel remotely guilty for doing so, because while my fan-crush on David Fincher is no secret by now, this was a film that was made with an abundance of style and panache that is custom to Fincher and makes "Dragon Tattoo" feel like a brand new film rather than something that was made in Sweden only a few years before. I've put it on my agenda to watch the original trilogy in the near future, especially since this version did not fare too well financially in the U.S. and the other two films are a mystery as far as any type of future. That being the case, I hope that doesn't lessen the value of this American take on the Stieg Larsson series because from the cinematography to the score, a sincere effort was put into this release and deserves more than the typical shunning a majority of remakes receive. For not having much prior experience, Rooney Mara completely owns the title role of Lisbeth, and Daniel Craig shows that he's more diverse than being just the new face of James Bond. In the end, even if its apples and oranges between the two trilogies, I do hope the American version gets rounded out because I feel these characters and the talented actors that play them have more to offer before all is said and done.




Thank you for reading, and see you next week for my Top 10 Films of 2010!

MrMovieETC's TOP 10 FILMS of 2012

Greetings, and welcome to Week 2 of my Top 10 movie countdown for the last 30 years!

2012 brings another list that I could have easily shrugged off for the sake of pure laziness due to having already created a list in January of 2013 on my YouTube channel (https://www.youtube.com/watch?v=me86bOJbh0Y). However, 2012 also brought a full slate of tough decisions and I thought it only right to give the list a fresh look and see if I would have honestly kept it the same, or if some changes were in order.

After scratching down all the films I enjoyed from that year, I began the process of narrowing down as anyone would, and I found that, yes, indeed it was a little different. The influences include the obvious introduction of films that I didn't see right away that I felt deserved a place, and films that were previously on the list that did not quite hold up to their original placement after multiple viewings. All in all, I feel that I like this Top 10 above the original and was happy to have taken the time to restructure.

The new 2012 Top 10 is as follows!:




10. THE RAID: REDEMPTION

I had heard about "The Raid" throughout the majority of its release, however I did not pay it close attention due to the frustration from having recently viewed "Dredd" and brushed it off as one was a copy of the other and I don't need to see both. "Dredd", on one hand, was a fun popcorn flick and was greatly unappreciated with the type of visual style it flaunted; "The Raid", on the other, kind of kicks the Judge's ass - it's really not fair. The claustrophobia of the close hand-to-hand combat from "The Raid" is some of the best I have seen since the Bruce Lee heydays, and it adds buckets of brutality to make the viewers hurt in places they didn't know they could, and for that, not only does this film deserve to be in the Top 10 of the year, but one of the best choreographed action flicks in a year that was loaded with big budget action flicks. Big seal of approval on this one!





9. ROBOT & FRANK

Picture a live action version of "Big Hero 6" before the Disney platform had been set in motion, and instead of whiz kids turning themselves and a care-taking robot into superheroes, it's a retired jewel thief that trains his care-taking robot into assisting with a few "jobs" to relive his glory days. Also, keep in mind that this film is damn good and well worth tracking down. Frank Langella is spectacular as the film's main lead and thief in question. Truthfully, it's his vessel all the way as the supporting cast only drops in from time to time when the plot needs them to. Whether or not you buy into a robot developing concern for his human counterpart through A.I. will determine a lot if you end caring for this film or not, but sometimes a good story and a little sci-fi go a long ways.





8. LOOPER

Speaking of sci-fi, "Looper" might be one of the best I've seen in recent years and still has yet to be topped. I'm not saying it's the best ever made, and of course the film has those pesky time travel loopholes that need to be allowed to slide, yet it is a product of what can be done with genuinely good film making and dedicated actors willing to sell it. "Looper" succeeds in all of the above. Bruce Willis gives an *actual* performance for the first time in God knows how long, Joseph Gordon-Levitt does a heck of a job being a young Bruce Willis, and Emily Blunt gets to reveal her inner asskicker. Oh yeah, and a little boy using his kinetic mind abilities to make bad guys explode - yes, that's also worth the price admission.





7. WRECK-IT RALPH

I assume I wouldn't blame some hopefuls for this film to feel a little disappointed as Disney did make it seem like many of the classic video game characters would be making a splash in "Wreck-It Ralph". It's not that they weren't there, they just weren't important for the most part. Although, while I admittedly would not blame them for feeling let down, that is not to say I necessarily understand why; I mean, how anyone would expect a cohesive story to be built around multiple video game characters from vastly different platforms and worlds is beyond me. Giving the film its due credit, it does manage to squeeze plenty of diverse characters into a story that is true to Disney - full of action, heart, and humor. Top that with fine voice offerings from John C. Reilly, Sarah Silverman, and Jane Lynch, and the finished result is, in my opinion, still the best non-Pixar release from Disney in the 2010's.





6. LIFE OF PI

I felt the only necessary reason to include this film in the Top 10 was for having some of the most awe-inspiring visual effects that I've seen since I can't even remember when. Only on extremely rare occasion do I seek out to see a movie in 3D and "Life of Pi" was one of those. Honestly, the scene where the luminescent humpback whale leaps out of the ocean nearly brought a tear to my nerdtastic eye. Nevertheless, I would not consider a film for the Top 10 based solely on eye candy. If that were true, all the Underworld movies and anything with Emily Blunt would make the list every time. No, "Life of Pi" is also lifted by a spirited on-screen rendition of Pi by Suraj Sharma, because as with "Robot & Frank", the story is all his and couldn't be upheld without a convincing lead. The story works just fine, though it may not be as deeply thought-provoking as it may think itself to be. I would be lying if I wasn't initially concerned with Ang Lee at the helm; not that I have anything against him, and he's made some great movies, though I also can't pretend "Hulk" never happened. Anyone can make a mistake, though, and "Life of Pi" adequately redeems.





5. MOONRISE KINGDOM

For all the Wes Anderson purists that to this day worship the ground that "Rushmore!" walks on, I may catch some flack for saying this, but oh well: In my mind, "Moonrise Kingdom" is hands down the best Anderson film to date. While the characters have the same quirkiness that one comes to expect, I felt they were utilized the best in this project, and the plot about young misfits using love to conquer their worlds was engaging beginning to end. In my summary of "Looper", I mentioned that it felt good seeing Bruce Willis put some stock into his character. As it turns out, 2012 was a great year for him as I'm sure Anderson would not have brought him on the set if he was going to merely "phone it in". Jared Gilman and Kara Hayward make their on-screen debut as the two young leads. I'm not sure if I'll be seeing them again in this capacity anytime soon, but they were certainly suitable for what this film asked of them. It's a great watch that I plan to revisit soon.





4. THE DARK KNIGHT RISES

Yes, I know it's the weakest in the Christopher Nolan trilogy. Yes, I know the message of the plot unravels a little more with each viewing. Yes, I know Christian Bale's "Batman" voice is somewhat obnoxious. Yes, I know one had to strain their ears occasionally to understand Bane. Yes, I knew it wasn't going to reach the heights of its predecessor, and if you honestly thought so, then you might have to Riddle Me That because I have no idea how the hell it could have. What I also know is that it was one of my favorite blockbusters of that summer, I thought Hans Zimmer laid a fine, suspenseful score, and with all the ways it could have screwed up big time, I felt "Rises" had a respectful finish to an otherwise outstanding trilogy that raised the Dark Knight from its own ashes. The popular joke is that this was the Batman movie without Batman, and while it's true that Batman didn't make nearly as many appearances, I was under the impression that was sort of the point and it was supposed to be more about Bruce Wayne - the man beneath the mask. Who knows? In the cinematic world, and especially in the comic cinematic world, there will always be conflicting viewpoints. What matters most to me is I enjoyed "The Dark Knight Rises" and fail to see where that will cease to be the case anytime soon.





3. ARGO

Ben Affleck may not *yet* be on my list of favorite directors but he's definitely making his case, and I would love nothing more than to see him keep swinging for the fences and knocking it out of the park, because so far, he's a perfect 3 for 3. While "Argo" may not rely as much on action as did "The Town", he creates a fantastic ensemble of characters and actors for this film based on true events, and after watching this movie a time or two, one would almost think he's been mastering suspense for years. The main downside to a story such as this, especially one about a hostage situation in hostile foreign territory, is that it can be slightly predictable and that's where the main challenge for Affleck would lie. That being case, as aforementioned, he still managed to completely draw every baited breath from the audience as they grip whatever their seat of choice is for dear life. I don't know if Affleck will be able to keep a perfect streak running, but "Argo" does not leave much for skepticism.





2. THE AVENGERS

Needless to say, MARVEL has had me on its hook since the first "Iron Man", so for a studio to finally take the leap of faith and make a live action version of this superhero combo against lofty expectations, it could have easily been a detrimental disaster that would have laid MARVEL Studios under a stone that read "Here Lies..." The sci-fi genre also seems to put a lot of faith in Joss Whedon, and while there's nothing that stands out that he was completely undeserving of such praise, his visions have not always connected ("Firefly"), so to say that "The Avengers" would be an automatic success because Whedon was behind the lens would be naive to a degree. That being said, Whedon may have taken a somewhat safe path, although in the end, it was the right path because he did "The Avengers" justice and then some. He could have easily made it boil over with convolution, yet instead he took already well-developed characters and let them do what they do best for 2 hours. "The Avengers" gave pure dazzling entertainment that satisfied but left just enough hunger for Phase 2.





And now, my Top Film from 2012:

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1. DJANGO UNCHAINED

After looking this list over about every way I could possibly look it, there was still no contest for the #1 spot; "Django Unchained" was my original pick for the top slot, and so it shall remain. Paying homage to the spaghetti westerns of the past, Tarantino brings his trademark flair to a 3-hour epic with a cast of greats that could not be contended with in 2012. Jamie Foxx, Leonardo DiCaprio, Christoph Waltz, and Samuel L. Jackson all bring their A+ games that make said 3 hours feel like 90 minutes of over-the-top action violence, gore, and black comedy that has made Tarantino famous. I could honestly go on for pages about "Django", breaking down each scene and what I loved about it. Instead, I'll spare you the full afternoon and just tell you to go see it. Though, if you haven't already, I'm not sure I can really help you at this point.



See you next week for my Top 10 of 2011!

MrMovieETC's TOP 10 FILMS of 2013

As explained on my Facebook teaser post (3 or 4 weeks ago, my sincerest apologies), this year marks the Big 30 for me. In the grand scheme of things, that's not a huge milestone but one only gets so many after 21, so I'll take what I can get. Regardless, I decided it would be fun to countdown my Top 10 films from each year of my life, starting from 2014 and working down to 1985.

I suppose this starts on a bit of cheat since I've already done my list for 2014, which you can find here (http://mrmoviesetc.blogspot.com/2015/01/my-top-10-film-list-for-2014-part-1.html) and here (http://mrmoviesetc.blogspot.com/2015/01/my-top-10-films-list-for-2014-part-2.html); however, I did have to put some thought in 2013 because I never ended up making a list for that year. I did rank the 2013 Oscar films, although I can hardly count that because a decent handful of those films did not make it onto this list. There were some difficult delegations I had to make, but all in all, I'm happy with this final cut and I hope you enjoy it as well.

Let's begin!




10. MONSTERS UNIVERSITY

For well over the past decade, I have been an outspoken soldier for Pixar and have talked them up to anyone that would listen. Granted, Pixar has made billions of dollars so it's not to say they really need my opinions, but it still feels fulfilling to converse about a studio that had one of the biggest impacts on changing the shape of modern animation. I do concede slightly to the fact that the studio hasn't had a tip-top release since "Toy Story 3" in 2010. "Cars 2" is what it is, and "Brave" hit a majority of the aspirations they were aiming for, yet not quite all of them. "Monsters University" was Pixar's first attempt at a prequel, and putting aside that, no, it didn't need to exist, the film was a solid effort all the way through and nearly as enjoyable as the original. The same characters that made the first film great are all here and are just as dynamic, and some new characters are introduced as well to add enjoyable layers. While some films show all their colors too early, "Monsters University" easily saves its best for the Third Act, and for me, was well worth the journey getting there.






9. BEFORE MIDNIGHT

I would consider it impressive to make one film about a man and woman walking together in an exotic location and doing nothing but talking about life and love, and yet Richard Linklater does it three times over and, in my opinion, saves his best for last with "Before Midnight". This and the other two films do require some patience and are not for everyone, though Ethan Hawke and Julie Delpy have such an undeniable chemistry that it's a special treat to watch their characters' lives unfold over the span of a decade and then some. The concept may sound somewhat familiar due to the Linklater's most recent release, "Boyhood". While that film's premise is something different entirely sans the timeline, it never connected the same way that the "Before" trilogy did. The latter at its bones was more ambitious, and certainly had more to say. No pun intended. Each production was well worth the wait, and "Midnight" was a cap that elegantly brought it all together.






8. BLACKFISH

If there were ever a documentary that turned heads and changed minds in recent memory, the one that likely could come to the foreground is "Blackfish". In fairness, the film is not an easy watch, nor does it pretend to be, and all it sets out to do is emphasize the historic lesson that humanity refuses to acknowledge: Nature cannot be controlled and Nature will always find a way to break free. Personally, I've been obsessed with marine life for as far back as I can remember, and also have had a deep-seeded desire to visit SeaWorld so I could see these magnificent creatures up close - not so much anymore, at least as far as the latter is concerned. I have no doubt that the trainers at SeaWorld have the best intentions at heart, but raw footage doesn't lie and to see these huge Orcas so visibly distressed is heartbreaking. You can tell this film made an impact, because SeaWorld has been trying to publicly defend itself ever since. To make something like this knowing the repercussions takes heart and courage, and both manifest on the screen during "Blackfish".






7. THE CONJURING

I've been saying for the past few years that I feel James Wan could possibly be the new face of cinematic horror. He visions don't always connect, but when he's on, he's really on. If not for him, the "SAW" series would not be one of my top guilty pleasures and my horror collection would look rather pitiful. More to the point, what sets Wan apart is he just seems to "get it". Yes, you can make horror bloody and disturbing, but you can also make it suspenseful and intriguing, and that's exactly what he accomplished with "The Conjuring". What starts as a slow tension builder soon escalates into a fist-clenching climax in the likes of nothing I've seen come out in the last decade. Wan also realizes the value of a talented cast and bringing on Patrick Wilson and Vera Farmiga was a wise decision. For me, "The Conjuring" was a breath of long awaited fresh air.






6. BLUE IS THE WARMEST COLOR

I know what some of you may be thinking, "Gee, a highly sexually explicit film about the romantic relationship between two women - what possibly could have been the attraction??" Admittedly, yes, this film pulls no punches when it comes to sex in a way that I have never seen before (I say "never" because I refuse to count the pile of shit that is "Nymphomaniac Vol. I & II"). That being said, I also have consistently been of the opinion that those types of scenes, such as they are, can be a valuable weapon if used for the right reasons. "Blue" takes full advantage of that idea and makes a skillfully crafted, and frankly, beautiful work of art. I don't think the filmmakers were out to make a statement about gay rights as much as they wanted to show that these relationships are real whether you're willing to acknowledge it or not, and that they do come with their own set of trials and shortcomings. Even at its surprisingly long 3 hour run time, the film did a wonderful job at making every minute count.






5. NEBRASKA

I cannot deny the fact that I could be slightly biased towards "Nebraska" with it being my home state and all, but putting this in my Top 10, even Top 5 of the year, was an easy choice. I have a large soft spot in my cinematic heart for stories about the older generation telling the younger where to "stick it" when it comes to venturing out and finding a sense of purpose and independence. Alexander Payne has enough experience under his belt to find the right notes to hit as well to make this simple film about a simple man (played perfectly by Bruce Dern) going across multiple state lines to collect what he feels is his destiny. The subtle score and black and white filming was a nice touch, and really, the performances across the board made this quiet, yet mighty film a true pleasure to watch.






4. PRISONERS

If any film caught me absolutely off-guard from 2013, it was "Prisoners". The film was twisted. The film was brutal. The film was outstanding. Hugh Jackman makes one of his most emotionally charged performances of his recent career, and Jake Gyllenhaal turns in a fine effort about a small time cop that cannot quite fill the lofty shoes that hero status requires. One thing is for sure, the film's gritty nature rubs off, and if you don't feel slightly dirty and paranoid when the end credits roll, then the film did not do its job. Thankfully, I can't picture that being an issue, because while no one is the "good guy" in this story, you almost cannot help but be sympathetic towards their desperate situation. "Prisoners" was certainly my big surprise of the year and one I'll be happily revisiting in the future.






3. PACIFIC RIM

After going to the theater and watching what I thought was easily the best action blockbuster of the year, I was also certain that no film could push "Pacific Rim" from #1. For the longest time, that did end up being true, but once Oscar season rolled around, I delved a little deeper into what 2013 truly had to offer, and obviously by its placement, I found a few more films that I enjoyed more as a whole. Don't get me wrong, "Pacific Rim" was Del Toro showing off what he does best. There's no deep meaningful messages here, just pure rock 'em/sock 'em bliss between giant robots and giant monsters. To see its performance at the box office fall short is puzzling to me to this day, especially since it did right in one offering that the "Transformers" series has still failed to do with four. I certainly wouldn't turn away a sequel because watching Del Toro go bananas is the definition of fun in many ways, but I would be content just the same if "Pacific Rim" was able to stand on its own mountain.






2. HER

With the kind of output that Spike Jonze is known for, I can only imagine how many offers he gets to direct a film. I find that significant because Jonze really doesn't direct films too often, and clearly that's not a bad thing because in my mind "Her" is his best film to date and easily one of my favorite romantic dramas in a long time. Joaquin Phoenix was an excellent choice for the lead, and I loved how Jonze gave the film a modern, technological flavor to make it feel fresh and relevant. I don't suspect I'll come across another one of these in the near years to come, and with that, I also know I'll be looking back and re-watching this film many times over.








And finally, my Top Film from 2013.

DRUM ROLL.........

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1. PHILOMENA

Alright, so probably not the most suspenseful reveal since I've done nothing but pour praise for this film every time it comes up in conversation. Honestly, though, I simply cannot help that because "Philomena" is a superb film. From the acting, to the writing, to the directing and everything else in-between, this movie gets it right. Steve Coogan and Judi Dench have a fantastic chemistry that I was not fully expecting given Coogan's comedic background, and they both bring humor to a story that, at its core, is morose enough to tug even the most stubborn of heartstrings. Having already done a full write-up about "Philomena" in the recent past (https://www.facebook.com/pages/A-Journey-Through-Film/897875193561061?ref=tn_tnmn), I won't go overly long here, but I will say that if you have yet to give this film a watch, I hope you can trust me when I say that you are missing out on not only what I felt to be the best 2013 had to offer, but one of the best of the 2010's.





See you next week for my Top 10 Films of 2012!